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FT Podcasts

Each week the arts podcast brings you interviews and studio discussions on the latest arts stories and cultural trends, with contributions from the FT’s roster of critics and commentators.

You can find more arts news and reviews from the Financial Times on the FT website and listen to more episodes of FT Arts on iTunes, Stitcher, Audioboom or Soundcloud.

Each month FT music critics and contributors discuss the story of a song, from its origins and early recordings through cover versions good and bad. Formerly called FT Arts.
  1. Billie Holiday’s 1939 'Strange Fruit' was called 'the first significant protest in words and music, the first unmuted cry against racism'. Other singers attempted it, from Nina Simone and Diana Ross to Jeff Buckley and Kanye West. But could any match the power of the impassioned original? FT pop writers David Cheal, Fiona Sturges and Helen Brown discuss the song's origins and afterlife.

  2. From Bob Dylan to Adele, the song that was first called 'a spare ballad undermined by greetingcard lyrics' is now a karaoke tearjerker. FT pop writers David Cheal and Helen Brown debate the origins, meanings and cover versions of 'Make You Feel My Love'.

  3. In a special episode to mark the publication of The Life of a Song book, FT pop critics Helen Brown, David Cheal and Ludovic Hunter-Tilney debate whether a song can really change the world. Hear the stories behind the hits, from Bowie's 'Starman' to Jay-Z's 'Hard Knock Life (Ghetto Anthem)'.
  4. It achieved distinction in an era of elemental riffs, and journeyed effortlessly to and fro across the Atlantic. It also marked a turning point in the career of the greatest guitarist who ever lived: Jimi Hendrix. FT pop writers Peter Aspden and David Cheal discuss "Wild Thing" 50 years after Hendrix's groundbreaking performance at the Monterey Pop festival.
  5. The singer’s old label boss called the song ‘a morbid mess’, but it shot to number one in the US. Ahead of the 40th anniversary of Elvis’s death in August, FT pop writers Peter Apsden and David Cheal discuss the song's origins, dark appeal and afterlife. Credits: 104pro Media, Legacy Recordings, Entertain Me Ltd, Spectrum, Omnivore Recordings, Vengeance Records

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